Prompts

masterpiece, best quality, 8k, food focus, sushi platter, salmon, tuna, nigiri, sashimi, wasabi, ginger, soy sauce, wooden board, glistening, fresh, detailed, restaurant lighting

A young woman in a gown of deep burgundy velvet sits at the edge of an unmade bed, turned three-quarters toward the viewer. The gown has slipped from one shoulder, revealing the architecture of her collarbone, the strap of a linen chemise beneath. One hand rests on her bare ankle, the other toys with an unpinned strand of dark hair. The room is lit by a single candle on the nightstand, its flame reflected in a half-empty glass of wine, in the gilt frame of a mirror she refuses to face. Her skin glows amber in the low light — Caravaggio's chiaroscuro, Vermeer's patience. Every shadow has weight. She has just made a decision, or is about to. Her lips are parted, reddened as if bitten. Her eyes meet the viewer's with an expression that could be defiance, could be surrender, could be the moment before either. The ambiguity is the point. Behind her: unmade linen sheets, a letter torn in half, roses beginning to wilt in a ceramic vase. Her shoes lie discarded on the Persian rug, one upright, one fallen. The details tell a story the subject will not. Painted in the style of the 19th century French Academy — the technical devotion of Bouguereau, the psychological tension of Sargent's Madame X. Oil on canvas, visible brushwork in the velvet, smooth as porcelain in the skin. The kind of portrait that made careers and ended marriages. Every element composed, nothing accidental, the viewer implicated by the act of looking.

bech

{
  "subject": {
    "type": "skyscraper_facade",
    "style": "modernist_stone_plants_glass_and_steel",
    "element": "repeating_floors",
    "city": "new_york"
  },
  "composition": {
    "focal_length_mm": 600,
    "perspective": "extreme_telephoto_compression",
    "angle": "diagonal",
    "framing": "extreme_close_crop",
    "sky_visible": false,
    "floors_visible": "3_to_5_only"
  },
  "geometry": {
    "shapes": ["rectangle", "grid", "horizontal_lines"],
    "pattern": "identical_floors_repeating",
    "lines": "diagonal_across_frame",
    "depth": "completely_flat",
    "density": "minimal_sparse"
  },
  "lighting": {
    "source": "street_lighting_and_internal_lighting_at_dusk",
    "reflections": "subtle_in_glass"
  },
  "photography": {
    "techniques": ["slight_dutch_angle", "rule_of_thirds", "leading_lines"],
    "lens": "super_telephoto_prime",
    "sensor": "medium_format_digital",
    "aperture": "f/8",
    "style": "architectural_fine_art",
    "references": ["Andreas Gursky", "Candida Höfer", "Julius Shulman"]
  },
  "mood": "building_as_abstract_pattern"
}

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